Howard stern amy heckerling biography

Originally, the film was supposed to have music in it by bands like the Eagles.

Howard stern amy heckerling biography

I was one of those obnoxious teenagers that thought that the music I liked was great and everything else sucked. Getting that Oingo Boingo song in the film was a big fight. But I had to make some compromises and put in some songs that I didn't like at all. The studio was unsure of how to market the film, and Heckerling guesses that they did not think that anyone would want to watch it.

The studio decided to just open it in a few hundred or so theaters on the west coast without any advertisement. Once the film opened, it was a huge success so the studio quickly opened it at theaters around the country. It was hard for her to find anything that wasn't about high school, preppy kids, or story about a girl losing her virginity.

Eventually she found her next film. Heckerling attributes the film's failure to the public's lack of familiarity with the gangster movies that the film was poking fun at. I think that was the main problem, because all the actors and writers did great jobs. But we were definitely satirizing something I mean, unless you watch s movies on TV at night, people don't remember.

Somebody told me that during a screening they were sitting next to Brian De Palma , who had just done Scarface , and he was in hysterics. If you studied those movies, you know what we were doing. The film, like many of Heckerling's films, received poor reviews from critics but proved to be very popular with audiences. Heckerling, despite being well educated and loving the work of such intellectual writers as Franz Kafka , [ 5 ] has admitted that she loves "silly things," which has proven to make her commercially successful in the comedy genre.

Heckerling got the idea for the film while she was pregnant with her daughter and developed it into a feature. Heckerling says that she loves to write comedies, such as Look Who's Talking , because she notes that when a film is made, everyone working on it puts more than a year of their lives into making it, so she wants that year to be happy and fun.

Heckerling, who loved Travolta, was ecstatic to work with him, though many people consider the film's release to be during the end of a low point in Travolta's career. The film added another baby to the storyline and was a moderate success. Heckerling then produced, but did not direct, the third and final sequel, Look Who's Talking Now —a flop.

The films also spawned a brief television show called Baby Talk that was largely written by Heckerling. In , she wrote and directed Clueless , reworking and updating Jane Austen 's Emma as a s teen comedy about wealthy teenagers living in Beverly Hills. Heckerling originally thought of Clueless as a television show because she loved to write the character of Cher who she described as a "happy, optimistic, California girl", and wanted to explore all of her adventures, but after she pitched it to her agent she was told that it would make a great feature.

To research for the script, Heckerling sat in on classes at Beverly Hills High School where she observed how teenagers acted, though she admits that most of it was made up. She notes that teenagers at the high school did not dress in high fashion every day as the characters do in the film and that in reality the students there dressed just as frumpily as everyone else.

She did, however draw on many of her observations, especially the tendency of teenage girls to groom themselves constantly. As with Fast Times at Ridgemont High , it quickly caught on with teenagers and went on to become a significant pop culture reference point. It was spun off into a moderately successful TV series, with Heckerling penning the pilot, as well as directing several episodes from the first season.

Heckerling describes the show as basically the same as the film, only cleaner, and says that she still loves the characters. Heckerling directed and produced Loser , a romantic college comedy with Jason Biggs and Mena Suvari. The film was not a critical or commercial success. After a break, Heckerling's romantic comedy I Could Never Be Your Woman , starring Michelle Pfeiffer and Paul Rudd , never opened in theaters; rather, it received a direct-to-video release domestically, despite fairly good notices.

Production of the film was troubled by financial issues, including the rights to distribution being sold off without Heckerling's knowledge, making it difficult for her to sell the film to a studio. At the time, Heckerling was also taking care of both of her parents who were very ill her father was in the hospital and her mother had cancer.

Though Heckerling dislikes the baggage that the film carries and is upset about it not being released theatrically, she says that the experience was significant for her because she loved working with Rudd and Pfeiffer in England. On July 4, , Gilbert Gottfried posted an in-depth minute interview with Heckerling on his podcast. Heckerling wrote the libretto for the musical.

Heckerling's films have been characterized as having a proto-feminist perspective. With films such as Clueless and Fast Times at Ridgemont High , Heckerling has focused on women finishing high school and going into what would be their adult lives. Heckerling has a tendency to prioritize the female friendships within her films, along with a larger discussion of gender positioning within teenagers' lifestyles.

Heckerling dated friend and fellow film director Martin Brest briefly when she first moved to Los Angeles. Though they later broke up, they remained good friends. Clueless is a coming-of-age teen film loosely based on Jane Austen's classic novel Emma written and directed by Amy Heckerling. The film is set in Beverly Home Biographies Amy Heckerling.

Amy Heckerling. Enlarge Image. Background Amy Heckerling was born on May 7, , in the Bronx, NY, Amy Heckerling's father was a certified public accountant, while her mom worked in the same field as a bookkeeper. Career Movies Based on screenwriter Cameron Crowe 's book about high school social ceremonies, "Fast Times at Ridgemont High" was a generous hit by Amy both with groups of viewers and pundits, who discovered its entertaining take on high school to be authentic.

Net Worth At Age 65 According to www. Also Read: Brie Larson. In recent years, Heckerling has directed several more popular films, including the romantic comedy "Loser" , the comedy-drama "I Could Never Be Your Woman" with Michelle Pfeiffer and Paul Rudd, and the horror-comedy "Vamps" Amy Heckerling stands as one of the few female directors whose films have achieved both critical and commercial success.

Her unique ability to capture teenage experiences, create memorable characters, and deliver witty dialogue has cemented her place in the annals of comedy cinema. Amy Heckerling American director Date of Birth: Contact About Privacy. Michael Carreras. Vadim Perelman.