Biography on picasso and botero

During this period he experimented briefly with a gestural brushstroke, which Botero called his flirtation with the School of New York. Over the next years Botero continued to explore the manipulation of form for aesthetic effect, gradually eliminating all traces of brushwork and texture, opting instead for smooth inflated shapes. His continuing attraction to the Colombia of his youth is reflected in paintings rooted in small town Colombian life--middle-class family groups, heads of state, prelates, madonnas, military men, prostitutes and opulent still lifes with exotic fruit.

In Botero left New York for Paris and began to produce sculpture, although without giving up painting. His work in a three-dimensional art was a natural progression for an artist singularly dedicated to expressing volume and mass. He passed away suddenly of a heart attack when Fernando was only 2, leaving Fernando to grow up with his mother and 2 brothers.

It is said that this tragic event left him with a permanent emptiness, a sadness he could never fully put a face to. The Medellin of modern day is very different than it was when Botero was growing up. Botero attended a school run by Jesuits who were very strict, and, to add enjoyment to his life, Botero began to draw and later paint.

Growing up he became a huge fan of bullfights, which is a popular sport in Colombia, stemming from Spanish settlers. From the age of 13, he began to paint scenes of bullfights, selling them in front of the arena for 5 pesos, and later, as a professional, he spent nearly 2 years painting only that subject. His talent and knowledge of art was evident from early on.

Biography on picasso and botero

When he was only 17 he contributed an article to the Medellin newspaper, El Colombiano , titled "Picasso and the Nonconformity of Art," which also served to reveal his avant-garde thinking of art. Botero moved to Bogota in where he had his first solo exhibition at the Leo Matiz Gallery at the early age of Every single one of his pieces sold.

Ironically, Botero grew to have a very difficult time in parting from his work, and became the biggest collector of his own work, despite being offered enormous sums of money for it from fans and collectors around the globe. He studied in Madrid, Spain, at the Academy of San Fernando, where he created work in the style of Velazquea and Goya, as well as in Florence, Italy, where he learned the fresco techniques of the Italian masters.

There, his experience with Muralism greatly influenced his future direction as an artist. Preferences and functionality Improve your experience on the website by storing choices you make about how it should function. Statistics Allow us to collect anonymous usage data in order to improve the experience on our website. Marketing Allow us to identify our visitors so that we can offer personalised, targeted marketing.

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