Biographie de tahia karioka biography

Karim, Persis M. Karim, Benjamin. Kariel, Henry S. Kargman, Jill —. Kargin, Valentin Alekseevich. Kargil Conflict, The. Kargau, Menahem Mendel ben Naphtali Hirsch. Karg-Elert real name, Karg , Sigfrid. Karfreitagzauber Wagner. Kariuki, J. Kariya, Paul. Born in Ismailia, most likely on 22 February for there was no definite date of her birth, and she preferred to not say, Carioca spent over six decades in the world of acting and Oriental dancing, and passed away 20 September To add to the mystery surrounding her, it is believed that her real name was Badawiyya, as she said in one radio interview, adding that it was Badawiyya that was used during her miserable childhood.

Yes, Tahia Karioka lived a miserable childhood where she suffered all kinds of physical abuse at the hands of her eldest brother, to the extent of shaving her head and preventing her from going out. Mahsen gave Tahia a warm welcome then made her an extra in one of the plays she was involved with, holding a spear on the advice of actor Bishara Wakim.

Gradually, Tahia began to practice her hobby of dancing. The pioneer director Togo Mizrahi was the first to take note of her and cast her in Dr Faraht , and then in The Gendarmerie Sentry In , she appeared in Behind the Curtains directed by Kamal Selim. Thus, Tahia became a familiar face as an Oriental dancer to the extent that she participated in seven films until , most of which were directed by Togo Mizrahi.

However, Tahia worried about being treated as only a belly dancer. She viewed herself as a talented female cinema star, especially following her success in the part that Togo Mizrahi gave her in Leila, the Girl from the Countryside She decided to produce films in order to be an acknowledged actress. Tahia launched, along with the actor Hussein Sedky and director Hussein Fawzi, a production company they called Youth Films.

Tahia Karioka was capable of constantly finding a place for herself in the commercial formula of this kind of film, like her competitors Samia Gamal and Naima Akef. Both of them confined their work to one person: Samia Gamal was almost always present with Farid Al-Atrash, while Naima Akef appeared in the films of her husband director, Hussein Fawzi.

Tahia distinguished herself from these competitors by collaborating with everyone, whether actors, producers or directors. As viewers continued to admire Tahia as an actress, the question we can ask is why did she stop her dancing career, even though this was the skill that made her enter the cinema world in the first place? Unlike many other dancers, like her mentor Badia Masabni who was around 40 when she succeeded in cinema, or Nabawiyya who was also older, Tahia was not even 20 years old when she first appeared on screens.

Biographie de tahia karioka biography

Read Edit View history. Tools Tools. Download as PDF Printable version. In other projects. Wikimedia Commons Wikidata item. Egyptian belly dancer and actress. Taheyya Kariokka, c. Ismailia , Egypt. Early life [ edit ]. Career [ edit ]. Personal life [ edit ]. Filmography [ edit ]. See also [ edit ]. She looked me straight in the eye but my year-old flustered stare wilted under what seemed to me her brazen scrutiny, and I turned away.

Each of them, except, I think, Mubarak, imprisoned her at least once for various, mostly political offences. Aged 79, she died of a heart attack in a Cairo hospital on 20 September. He was an opportunist, she later told me, who robbed her of all her money, pictures, films and memorabilia. Robed in the black gown and headscarf of a devout Muslim woman, she radiated die verve and wit that had informed all her performances as a dancer, actress, public personality.

I wrote about her in the London Review of Books : her extraordinary dancing career, her power as a cultural symbol throughout the Arab world. Egypt was the capital of that world when it came to such matters as pleasure and the arts of desire and sociability, and Tahia was its representative. Most Eastern Arabs would, I believe, concede that the dour Syrians and Jordanians, the quickwitted Lebanese, the rough-hewn Gulf Arabs and the ever-so-serious Iraqis have never stood a chance beside the I entertainers, clowns, singers and dancers that Egypt and its people have provided for the past several centuries.

In all that Tahia stood quite alone, and not altogether despite her flaws and often puzzling waywardness.